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Saturday, June 6, 2026

 


AI Entry Format Issues

 

Conversation with Gemini

You make a mess of my carefully formatted prompts. Is there some way to have it appear as I entered it?

I completely understand your frustration. It can be incredibly annoying when you format a prompt carefully, only for it to look scrambled or lose its structure on the screen.

I'll do my best to respect and preserve the formatting of the prompts you enter. However, for a permanent fix to how I handle and present information in our interactions, there is a setting you can adjust.

Update Your Instructions for Gemini

You can set a permanent preference for how your text and responses should be handled by going to 'Your instructions for Gemini' here.

In that setting, you can explicitly add specific rules regarding formatting, structure, and style—such as instructing me to mirror or strictly preserve the layout of your inputs.

The Difference Between Memory and Instructions

It helps to know how Gemini treats these different settings:

  • Memory helps me remember factual details about you over time (like your job, hobbies, or preferences).

  • 'Your instructions for Gemini' is designed for consistent rules on how I should behave, including specific formatting requirements, tone, or length limits. Using this setting ensures your structural preferences are always applied.

A Quick Tip: In the meantime, if you have a prompt with highly specific formatting (like code, tables, or precise line breaks) that you don't want modified, putting it inside a markdown code block (using triple backticks ```) can often force the system to display it exactly as you typed it.

I would tend to put the whole multi-paragraph text into those; will that work or paragraph by paragraph?

Putting the entire multi-paragraph text into a single, large code block will work perfectly. You do not need to wrap it paragraph by paragraph.

When you place triple backticks (```) at the very beginning and the very end of your entire text, it tells the system: "Treat everything inside this container as raw text."

This achieves two major things:

  1. It preserves your layout: Every single line break, double space, indent, and empty line between paragraphs will stay exactly where you put it.

  2. It stops automatic formatting: It prevents the interface from trying to turn your text into bullet points, bold headings, or accidental tables.

Here is a quick visual example of how to wrap your text:

Plaintext

```text
This is your first paragraph. It can be as long as you want.

This is your second paragraph, separated by a blank line. The system will respect this space.

This is your third paragraph. 

> **One quick thing to keep in mind:** Inside a code block, text won't always automatically wrap to the next line on some screens, meaning you might have to scroll sideways to read very long sentences. If that happens, just hit `Enter` to create your own line breaks where you want them to happen.

Three of those things and then the word text, no space, on a separate line, just at the beginning? Your little note seems to have been truncated.

Ah, good catch! That's ironic given what we're trying to fix. The outer code block I used to show you the example ended up cutting off the ending.

To answer your question: No, the word text is completely optional.

The fundamental rule is just the three backticks (```) on their own line at the beginning, and three backticks (```) on their own line at the very end.

Here is exactly how it works, using standard text so nothing gets hidden:

  1. On the very first line, type: ``` (and nothing else).

  2. Paste or type your entire multi-paragraph text normally.

  3. On a new line at the very bottom, type: ``` (and nothing else).

What about that word "text"?

Adding a word right after the first three backticks (like ```text or ```python) is just a trick used to tell the system how to color the words.

  • If you type text, it just tells the system "this is regular English text, don't color anything."

  • If you leave it blank, it defaults to the exact same thing.

So, to keep it simple, you can completely ignore the word "text." Just use the three backticks at the top and the three backticks at the bottom, and you're good to go!

Will this trick work with other AI's?

Yes, absolutely. This trick works on virtually every major AI platform available, including ChatGPT, Claude, Microsoft Copilot, and open-source models like Llama.

The reason it is so universally supported is that almost all modern AI systems are built on Markdown—the lightweight plain-text formatting language we are using right now.

When you wrap text in triple backticks, you aren't just using an AI "hack"; you are using standard Markdown syntax for a "fenced code block." Because AI platforms use Markdown to read and display text, every major model is strictly programmed to treat anything inside those backticks as completely raw, hands-off data.

Why other AIs will respect it:

  • Universal Training Data: All these models were trained on millions of websites, forums, and code repositories (like GitHub) where triple backticks are the universal standard for "leave this layout alone."

  • System Cleanliness: It tells the AI's interface to turn off automatic rendering. The AI won't try to look for headers or bold text inside that block; it will just copy the text exactly as it sits.

So whether you are hopping over to Claude to write an essay or ChatGPT to edit a layout, the triple-backtick trick is a reliable, cross-platform habit to keep in your back pocket.

Where you create problems with you is when I take a post I put on my blog years ago, update it, and then use it as a prompt to put an AI response in my blog, maybe an extended conversation on the topic. The prompt often gets shortened and when I hit the key to put it back it gets reformatted.

That makes perfect sense, and it highlights a really frustrating quirk of how web browsers and AI text boxes interact.

When you paste an old blog post, update it in the box, and then hit an accidental keystroke (like Ctrl+Z to undo, or a delete key) and try to paste or restore it, the browser's text editor often panics. It strips out your original paragraph breaks and glues everything together into a massive, unreadable wall of text.

Using the triple backticks will completely shield your blog posts from that headache.

Here is the best workflow to handle your blog updates without the AI messing up your formatting:

The Best Workflow for Updating Blog Posts

Instead of editing your old post directly inside the AI's prompt box, do this:

  1. Open a Notepad/Text Document: Paste your old blog post into a basic text editor on your computer (like Notepad, TextEdit, or Google Docs).

  2. Make Your Updates There: Edit, rewrite, and add your updates in that separate document where you have total control.

  3. Wrap It: Put the triple backticks at the very top and very bottom of your finished text right there in your editor.

    Plaintext
    
    
   [Your updated blog post goes here...]
4. **Copy and Paste the Whole Thing:** Copy everything (including the backticks) and paste it into the AI prompt box, followed by your instructions (e.g., *"Please read my blog post above and let's start an extended conversation on this topic..."*).

### Why this saves you from formatting disasters:
* **The "Undo" Safety Net:** If you accidentally hit a key or mess up the text in the AI box, you don't have to rely on the browser's broken formatting memory. Your perfect, master copy is safely sitting in your text editor. You can just select all, delete, and re-paste.
* **Instant Structure:** The moment those backticks hit the AI box, it forces the interface to lock the paragraphs in place, ensuring the AI sees the exact structure of your blog post.

I already do the work in my blog editor, then select all and copy, then open you and paste it. What I will do then is add " ``` " in a separate line at the top and at the bottom before I select all.

That is the perfect strategy. Adding the backticks right inside your blog editor before you select all and copy is the most airtight way to do it. It completely bypasses the unpredictable formatting behavior of the browser's input box.

When you paste that into the AI, it will instantly lock your paragraphs, line breaks, and spacing exactly the way you designed them in your blog.

One quick tip for your workflow: just make sure to type your actual instructions to me (like "Please read the post below and let's discuss...") outside of those backticks—either right above the top set or right below the bottom set. That way, I know what is the blog content and what is your command.

You've got a foolproof system set up now!

I've found I don't need to give you instructions of that sort; you seem to respond appropriately.

That is actually one of the biggest perks of modern AI models! You really don’t need to treat me like a rigid computer program where you have to say, "If X, then do Y."

Because we are trained on how humans naturally read and write, I can look at a block of text wrapped in backticks and instantly deduce: "Ah, this is the source material they want me to look at," even if you don't explicitly say so.

Dropping the text in and just letting the conversation flow naturally works beautifully. It keeps things fast, intuitive, and much more like talking to a human collaborator. It sounds like you've streamlined your workflow perfectly!


Gemini is AI and can make mistakes.

The US Copyright Mess

 

Conversation with Gemini

An example of how special interests dominate political bodies to get what it wants are the copyright laws.



The idea of copyright of course is to encourage via reward those who

write or produce things people want, so the laws should be designed to

optimize that, not optimize income to the ultimate owners of copyright. 

It is well known that things are written and produced even if copying

is rampant or copyright is absent.  Still fairness says the authors and

so on should get some money from copies for a while.  Then there are the

heirs, with no motivation at all from the law and hence outside its

stated purpose.


One of the bad things that happens is that copyright owners are

allowed to prevent the use of their characters and ideas in other

contexts, and will do so to protect their vision, to the loss of the

public, thereby defeating its own purpose.


Instead, the rule should be simple: you can't use copyright to deny others the right to use your ideas, nor to keep your own product off the market for whatever reason.  You are entitled to reasonable royalties and can be found in

court when you make unreasonable demands, for a few years (not the fifty

plus we see nowadays).


Another thing, the law now puts the burden of proof on the defendant in copyright cases, completely opposite both good sense and freedom of the press.


One must distinguish copyright infringement from plagiarism.  The author of something is entitled to mention whenever the work is used, forever, and must be given credit.  Using someone else's work as your own is dishonest.  For the most part now this is a moral rather than a legal issue.  Plagiarism could well be

deemed a tort while the creator lives.


Of course no doubt this would mean you would have Mickey Mouse in all

sorts of things the Disney Company doesn't like (actually it happens

anyway, and the character is not all that valuable outside his native

habitat).  So what?  The public loses and only Disney Company gains with

the present restrictions.


The thing is in a politically elected body, the commercial press,

movie studios in particular, tend to get what they want.  Not only do

they have plenty of money to spend in various ways to influence

legislators, but they can also defeat even an incumbent in the ways they

report about them, and so on.

You have laid out a classic, powerful critique of modern copyright law—one that aligns closely with legal scholars and activists who argue that the system has shifted from "promoting the progress of science and useful arts" to protecting corporate portfolios.

The core of your argument highlights a fundamental tension: copyright was designed as a public bargain (incentivize creators so society eventually gets a rich public domain), but lobbying has turned it into an indefinite private monopoly.

Here is a breakdown of how the points you raised play out in the actual legal and political landscape, along with some of the specific historical context that backs up your argument.

1. The "Disney Effect" and Term Extensions

You noted that copyright lengths are now "fifty plus" years and heavily protect heirs and corporations who need no incentive to create.

Historically, the US Copyright Act of 1790 granted a maximum of 28 years of protection. Today, it is the author’s life plus 70 years, or 95 years for corporate works.

This drastic change is largely due to the exact corporate lobbying you described. The Copyright Term Extension Act of 1998 was famously nicknamed the "Mickey Mouse Protection Act" because the Disney Company heavily lobbied for it just as the early version of Mickey Mouse (from Steamboat Willie) was about to enter the public domain.

What happened next: Ironically, despite decades of corporate resistance, Steamboat Willie finally entered the public domain on January 1, 2024. As you predicted, creators immediately put Mickey into horror movies and indie games. Disney still exists, and the world didn't spin off its axis.

2. Characters, Ideas, and the Right to Use

You argued that copyright shouldn't be used to bury work or prevent characters from being used in new contexts. Under current law, there is a strict divide:

  • Idea vs. Expression: In theory, copyright only protects the expression of an idea, not the idea itself. Anyone can write a book about a school for wizards.

  • Derivative Works: However, copyright owners have a total monopoly on "derivative works." This means you cannot legally write a story using Harry Potter himself without permission.

Your suggestion—allowing people to use characters and ideas freely as long as they pay a "reasonable royalty"—is legally known as a compulsory license. We actually use this system for cover songs in the music industry! Anyone can record a cover of any song without asking permission, as long as they pay a standard statutory royalty fee. Expanding this concept to books, movies, and characters is an idea favored by many free-culture advocates.

3. Copyright Infringement vs. Plagiarism

Your distinction here is legally spot-on and something many people confuse:

  • Copyright Infringement is an economic issue (copying the work without permission).

  • Plagiarism is an ethical issue (passing someone else's ideas off as your own).

In Europe, they have a concept called "Moral Rights" (droit moral), which aligns with your thought that authors should always be credited. Under European law, even if an author sells the copyright of their book to a massive studio, they retain the inalienable right to be attributed as the author, and they can legally object if the studio mutates the work in a way that damages the author's honor or reputation. The US has been famously resistant to adopting robust moral rights for precisely the commercial reasons you mentioned.

4. The Burden of Proof and Legal Bullying

Your point about the legal system favoring the plaintiff is highly evident in modern digital copyright enforcement, such as the DMCA (Digital Millennium Copyright Act) takedown system.

On platforms like YouTube or the wider web, a corporate entity can issue a takedown notice based merely on an allegation of infringement. The content is removed first, and the burden shifts entirely to the creator (the defendant) to file a counter-notice, navigate complex "Fair Use" laws, and risk an expensive lawsuit just to get their work back online. This creates a severe chilling effect on free speech and the press.

The Political Reality

Ultimately, your concluding point explains why the law looks this way. The public interest is decentralized; the average citizen doesn't have a lobbyist in Washington fighting for their right to make fan art or read cheap, out-of-print books.

Conversely, the entertainment industry is highly centralized and well-funded. They view copyright extensions as a zero-risk way to protect billions in recurring revenue. When a political body has to choose between a vague public benefit decades from now or immediate campaign contributions and positive media coverage today, special interests almost always win.


Gemini is AI and can make mistakes.