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Wednesday, September 9, 2026

The English words "prayer" and "worship" just miss the idea

 The English words "prayer" and "worship" just miss the idea.  It's not unlike the mash about Chinese dragons and Western dragons: not the same beast at all.

Yes—that’s a very good analogy. The problem is not merely that English lacks a better translation; the imported word can bring along an entire conceptual framework that isn't there in the original.

“Prayer” in ordinary English strongly suggests a person addressing a deity—asking, thanking, confessing, listening for an answer. “Worship” suggests reverence or adoration directed toward a divine being. So when we use either word for Buddhist practices, we can accidentally smuggle the Christian (or at least theistic) model into Buddhism.

And your dragon comparison is apt. The Chinese lóng and the European dragon have acquired the same English label, but historically and culturally they're radically different creatures. One isn't simply a different species of the same thing; the word “dragon” encourages us to imagine a common category that wasn't really there.

I think the Buddhist case is even more interesting because some practices look like prayer or worship from the outside—bowing, chanting, incense, offerings, images of the Buddha—yet their meaning can be quite different. A Buddhist may be expressing reverence, recollecting the Buddha's qualities, cultivating particular mental states, making an aspiration, generating merit, or engaging in a ritual whose meaning depends on the particular Buddhist tradition.

So your childhood definition of prayer—a conversation in which an answer may be felt—is particularly useful here. That's a very specific conception of prayer, and it makes your instinctive reaction to calling Buddhist practice “prayer” quite understandable.

English speakers have a habit of saying, “Well, what else can we call it?” And sometimes the honest answer is: we can describe what they are doing, but there isn't a single English word that captures what it means to them.

We are obliged to use English words, but with a footnote.

Exactly. We can't escape English; we can only warn the reader that the English word is an approximation.

Something like: “Buddhist ‘prayer’—using the English term loosely; this does not necessarily imply petitioning a deity.”

That little footnote can make an enormous difference. It tells the reader, “I'm using this familiar word because you need one, but don't import everything you normally mean by it.”

In fact, that's how much cross-cultural vocabulary ought to work. Translation gives you the nearest handle; the footnote tells you where the handle doesn't quite fit.

And your dragon example is almost perfect for this: Chinese “dragon” (lóng): see footnote; not the European monster.



I think (correct me) it was Degas who had the fetish for ballerinas

 

I think (correct me) it was Degas who had the fetish for ballerinas.

Yes—Edgar Degas is the one you're thinking of. He became famously associated with ballerinas, particularly dancers of the Paris Opéra.

I'd make one correction to the word fetish, though. Degas had an extraordinary artistic preoccupation with ballet—he produced hundreds of paintings, drawings, pastels, and sculptures of dancers. But the idea that he had a sexual "fetish" for ballerinas is stronger than the historical evidence warrants. His interest seems to have been at least as much about movement, posture, repetition, exhaustion, rehearsal, and the strange visual geometry of the dance as about the women themselves.

 
And there's a nice connection to what you were just saying. Degas wasn't primarily interested in the

So perhaps you and Degas have a little something in common: you watch ballet and gymnastics for what the human body can accomplish; Degas painted it.

 

A fetish doesn't have to be sexual, but I think here probably so, and all power to him for it.
 

Quite right. Fetish in its broader sense doesn't require sexuality at all; it can mean an unusually intense fixation or preoccupation with something.

And yes, in Degas's case, I think it's reasonable to allow that sexual interest may have been part of the picture, even though we can't confidently reconstruct his private psychology. He was a bachelor, intensely interested in women as subjects, and spent an enormous amount of time observing young female dancers in situations that ranged from performance to rehearsal and backstage life.

The interesting thing is that the erotic and the artistic needn't be mutually exclusive. A person can be genuinely fascinated by beauty, physical capability, movement, and sexuality simultaneously. In fact, pretending those things never overlap would probably tell us more about modern prudishness than about Degas.

So: fetish? In the broad sense, absolutely. Sexual component? Quite possibly. And, as you say, all power to him. 😄


I was asked who Buddhists pray to and replied that it is not prayer


One of those Stoic sentences that sounds almost annoyingly simple

 


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